Sometimes I like to watch ghost stories because I enjoy that bit of supernatural fun, and for the possibility of being healthily scared – preferably without a jump scare. There’s only two or so in the movie which was nice; however, halfway through, the movie decided to shit the bed and stop being a ghost story. It turned into torture porn.
Is it so hard to make a pure ghost story with inventive twists and turns without devolving into some sort of Satanist bullshit?
Based upon a novel called Hush by Eva Konstantopoulos, who shares screenwriting credit, it’s a story about two siblings, a brother and sister, who run a medium investigation service in which they con grieving relatives in regards to their dead who supposedly haunt the living. They do a script, play some sound effects, and get the people to believe it worked. Angela, the sister of the duo, is the one that plays the role of the medium because their mother apparently was one before committing suicide. They get hired by some old lady to help her stop the children’s screaming at the orphanage where she lives. Cue murderous backstory revealing the gruesome demise of the children. Cue Edgar Allen Poe and the guilt of a murderer. And you can figure it out yourself.
There is no twist ending here, simply human beings being murderous monsters. I don’t know why you had to use a ghost story for that. Should have just gone with the murder murder path. There’s too many plot points trying to vie for time, it would have gone over much better if it stuck with just one. For example, her brother needs the money because of gangsters? I wasn’t quite sure. The whole ghost story angle, and how even the brother might be sensitive to it. And then the story of the orphanage, and the old lady could have been an entire story on its own.
I watched this because I was curious to see Florence Pugh, and how she could act because I only knew her from Black Widow. It is obvious she’s yet another star brought in by who she knows, her family, and not the strength of her own bootstraps. She was atrocious here, her emotions stilted, subdued. I would say it is the fault of the writing, but look at Henry Cavill, in the trash released the other day, he was the carrying force. Yet, it didn’t save the show at all there either.
Overall, it’s yet another trash horror release by Netflix, no doubt another in the latest long line of supposedly possibly without any proof, or hearsay, money laundering schemes. Or not, I pulled it out of my ass like Lauren S. Hissrich does with her writing.