Movies

Law Abiding Citizen

Massive Spoilers Below

If you’ve not seen this movie yet, please avoid reading this review.

This movie opens with a family man, Gerard Butler, chatting with his young daughter while someone is knocking at the door. He opens it, without seeing who it is, and gets assaulted, tied up, and stabbed. His wife also gets assaulted, tied up and stabbed, and raped. His daughter gets taken away from his sight before he passes out from his injuries. With this set up in mind, the viewer is predisposed to have sympathy for Gerard Butler’s character, Clyde. Such a crime should not go unpunished. However, not a mere 5 minutes later we hear that the system is imperfect and that some justice is better than no justice at all. We, the viewers, can tell that Clyde is not gonna like that information at all. Who would after witnessing such devastation of their family? The lawyer, Nick Rice, played by Jamie Foxx, is as part of the problem as the criminals themselves because he’d rather push for a sentence he can get than to mess up his 96% conviction rate. Even if that sentence is but a tap on the wrist. I once heard that lawyers are supposed to be seekers of the truth, and the truth is what your client believes. Therefore, it is in your best interest to create the narrative that makes your clients truth plausible. The quick meeting between Nick and Clyde demonstrated that Nick has no interest in creating such a narrative, he is quick to shoot down any truth of Clyde. His sole interest is his own personal gain, and to me, the worst kind of lawyer; the type that gives rise to jokes about their profession as being blood suckers.

Roughly 10 minutes into the movie, the time skips ahead 10 years. Nick is at breakfast with his 10 year old daughter, and his wife reminds him of her cello recital. He says he can’t make it because he has to work, and his daughter says she understands because he locks up bad guys to keep his family safe. Her dad does not do that, he helps keep turning the gears of the prisons so that he may profit in return. He is not altruistic, nor selfless. The justice that he got for Clyde’s family was to let a rapist and a murderer provide false evidence and testimony against his partner who will now get the death penalty. An innocent man, for the crimes accused, will now die. He is not entirely innocent because he helped the real bad guy commit his crimes. Yet the system is content with that. The point of the justice system is to get judged by your peers, but Nick thinks himself above that, and 10 years ago, he made the decision of who should be punished.

That real bad guy, Darby, gets his due justice at the hands of Clyde. Who kidnaps him, and keeps him awake with medication, while strapped to a table rigged with a mirror to show him everything that’s about to be done. Clyde systematically cuts off his limbs and appendages as revenge. Morally, do I agree with his action? Yes, I do, because the system failed him and he acted with what he felt was appropriate. Ethically, Clyde has become the monster he hunts. And in turn, deserves to be judged by his peers.

Clyde is the bad guy now. He demonstrated that when he sent the video of his revenge porn torture to Nick’s family. I understand wanting Nick to pay, but bringing his family into this heinous world is what turned him from vigilante to monster. I lost my sympathy for him then. This is a movie with no likeable characters. It’s a light shone on the failure of the American justice system. Nick’s ego is what caused all of this in the first place. And for that action, he’s the antagonist. The protagonist, Clyde, is a villain with a tragic origin. I enjoy this twist on the typical formula.

Clyde brutally kills his cellmate with a piece of bone from a steak, and at this point, the rest of the audience is fully aware he’s a villain. Yet he’s still our protagonist, no matter how fucked up he is. Clyde let them know exactly what time to deliver his demands so that the lawyer he kidnapped would still be alive if the system worked. But the Warden is corrupt, power went to his head in being in charge of others, and decided that Clyde will get his meal when he says so. As a result, the lawyer is dead. “Everyone must be held accountable for their actions.” These words are the driving point of this movie. It’s revealed that Clyde is a killer for the defense department, he’s the guy you go to when you want someone dead that you couldn’t reach: a natural tactician, and a think tank type brain. A tinkerer that can come up with all sorts of devices to achieve death.

He kills the judge from his bail hearing with a modified cell phone. When Nick visits him in jail, Clyde says what I already stated at the beginning: that Nick does his lawyer job in the way that best serves him. Not his clients. Himself. Nick counteracts by saying it doesn’t work to blow up the system. But that’s the thing, that’s the only way to change the system. You have to tear it down completely and utterly, and from its ashes, create a new system. Otherwise, the system will adapt to your attempts at change. It will make you think that your outcry had some effect, and while in actuality that system has become stronger because you are now a part of it. Even if you don’t realize it. And it is because of this message why that the creators and producers of this movie could not continue with their intended ending. Why they went with the ending that they did. The system got to them, and they were afraid to promote the idea of disturbing the status quo. Clyde has to lose despite being our protagonist.

After going through with his promise that he will kill everyone should he not be released by 6am and all charges dropped, Nick sees him at the prison, but outside its walls. He promptly proceeds to assault him multiple times, typical of an antagonist who’s annoyed at the protagonist. Yet this man is supposed to be a defender of justice, and here he is blatantly breaking the law. Clyde reacts by saying that if Nick had bothered to even try, and not had his ego in the way, then none of this would have happened. And now Clyde is going to bring the whole “corrupt temple down on his head”. That would be an epic ending, but the makers of this movie are cowards. No need to mince words, that is what they are. This movie could have had a powerful message, like Joker, but they cowered to their financers and that did not happen. They were terrified of the repercussions this might weave with individuals watching.

“Put an armed cop on every corner.” Yes, that’s a brilliant idea. And to what end? To show people the city’s secure. See, in any other rational mind, that would not have that effect. A force that only serves the interests of the status quo would not inspire confidence in me. In fact, not unlike current political events in the United States.

Nick discovers some crucial piece of evidence, and true to his character, he breaks the law again by breaking into a property owned by Clyde. “Fuck his civil rights” – that’s whole reason this mess started! The irony is thick on this one. I’m amazed at how thick headed and stubborn Nick is. But then again that’s the point, Nick is the system personified. He’s meant to keep Clyde down, while failing to realize that his own actions brought around everything. This is also why Nick wins in the end. As much as Clyde tried to change the entire structure, it let him cause chaos until it realized that Clyde could in fact win, and that’s why he must lose. The system does not fight fairly. It’ll adapt however it must to survive, even at the cost of supposed laws. As the Mayor in the movie says, “I don’t care what laws we have to bend.”

The movie ends with Clyde killing himself with his own bomb that they moved under his cell bed. In doing so, they’ve made a mockery of the entire movie and completely undermined any message it might have had. All it did was show viewers that you can’t beat the system, not even allowed in a fantasy. Yet Joker did it, only took 10 years. The final notes are that Nick sees his daughter’s cello recital and that the antagonist wins. The director F. Gary Gray is another cog in the propaganda machine of Hollywood. He bends over to studios and his financers, and instead of being brave and telling us a powerful story of man beating the system, he’d rather showcase that nothing can win. No amount of intellect or planning will allow them to lose. The status quo must always be maintained.

The acting was phenomenal by both parties involved, and the supporting cast was great. Overall, I don’t recommend this movie because it’s like having a case of blue balls so to speak. It offers such a great premise with an incredible possible message that it squandered away and gives no resolution. In the final 15 minutes, it abruptly flipped who the protagonist was to be the antagonist. And the antagonist became the protagonist. It’s just an infuriating movie.

Movies

Why I have a problem with Batman

He’s a billionaire superhero who believes that the answer to solving crime in Gotham City is to severely beat criminals to a pulp. He doesn’t kill, but he’ll make sure his victims are brain damaged and unable to live a normal life ever again. He targets the poor and destitute, and only after beating so many, does he go for those that made wealth off of the suffering of lesser men. Criminals are only that way because the way of life in society has failed them. The corruption at the top has trickled all the way to the bottom, and Batman loves to beat the shit out of those at the bottom. This was no better evidenced than in the trailer for the new Batman movie, who’ll be played by Robert Pattinson, when he viciously beat down a henchman to the point that the other henchmen looked on in fear, horror, and tears in their eyes. The worst bit was the audacity to say “I’m vengeance.” No, you are far from that. You are another tool in the corruption of Gotham to ensure the wealthy stay that way.

As a teen, I loved Batman. I enjoyed every bit of media of him: movies, TV shows, animations, toys, and games. But then as I grew up, I realized what a failure of a hero he is. He’s got unimaginable wealth, and instead of funding numerous social programs and education, he funnels it into his vigilantism. Instead of targeting the corrupt CEOs and those that steal from social programs, and those that design the education system to keep others trapped, he goes for the victims of society. I would much rather have enjoyed a scene of Batman beating the corrupt Mayor of Gotham to a pulp while saying, “I’m vengeance” because that would make a whole lot more sense.

Batman is social engineering at its finest. He’s been tuned over all the years he’s existed, and keeps getting people to celebrate beating down the hungry, the poor, and the violent. A human’s propensity for violence comes from not being able to support themselves or their family. It comes from hunger. And ever so rarely, does it exist naturally, in something like a psychopath. And yet, in Batman’s world, a disproportionate amount of his criminals are psychopathic. The world is not like that. Those that have psychopathic traits are the ones that run the companies, not the criminal down the street that robbed an old lady for her medication. If there was a social program in play where that criminal could attain medication, for free, or cheap, that would have an infinitely better outcome for society than Batman swooping in and beating that criminal up.

Batman is a not a hero. A hero is “a person of distinguished courage or ability, admired for his or her brave deeds and noble qualities.” None of his deeds are noble, or brave. It doesn’t take courage to beat down lesser men. What does take courage is to raise those men up, show them a way without violence. A path where they can live comfortably for themselves and their families. And the whole dressing up as a bat to be a symbol is a load of crock. He does it to bring fear to the masses. Why would I ever call him if, for example, someone robbed me? I don’t think robbery deserves the sentence I know he’ll carry out. He’ll cripple that individual and if anything, he’ll inspire them to be worse. And that’s the majority of his villains, they were inspired by him to become what they are. He didn’t deter them, rather encouraged them to become worse. Batman’s a strain on hospitals and clinics. I’d imagine all the doctors and nurses actively hate him because of all the suffering he brings.

This extends to all superheroes, designed to encourage regular folks like you and me to hate those lesser than us. Superheroes are a fantasy. Vigilantism does not work. Unifying your fellow kindred spirit to work together against the system that’s made to keep you down, that’s what works. But even then, the system is designed to take your resistance, apply part of your wishes to it, modifying it slightly, then continuing to keep you down while you thought something changed. This is where Batman needs to come in, where all the superheroes need to come in. They need to attack the system at the top. The governments run by the corporations, those at the very top need to feel Batman’s fists and wrath. Then he can supplant his own puppets, his own workforce, use his wealth to ensure that those corrupt are taken out and replaced with better men. And even then, power corrupts – absolutely. And then they need another reminder, and Batman steps in again.

Movies

The Sleepover

Another Netflix original that could be good but they went and ruined it entirely with a single character. In this case, it’s by having the younger brother included in the script. The movie would be ten times better if he was cut out or scrapped entirely. The child actor, Maxwell Simkins, is so bad and cringe and absolutely appalling next to the other child actors. How did he ever get casted? Who’s giving this child roles? Trying to watch any of his scenes is an exercise in patience. The other children are well done, and funny, and acted great. Sadie Stanley as Clancy is the best of the four playing Malin Akerman’s daughter, with Cree Cicchino as Clancy’s best friend, Mim. And Lucas Jaye as Lewis, a friend of the severely miscast Kevin, the aforementioned child actor above.

I can’t finish watching it. Kevin just absolutely turns me off. As much as I enjoy Malin Akerman, Joe Manganiello, and Ken Marino, they cannot save this dumpster fire. Normally I’m all for family films, but this one couldn’t decide what it was. Some times there’s enough that you can tell some parts are for adults while others, you can tell it’s for kids. Unfortunately, it’s marred solely by one individual. One character.

Avoid this movie at all costs. Maybe Netflix will get the message to stop funding trash like this.

Movies

The Lost Husband

I don’t know what to really make of this movie. I know I didn’t enjoy the main character, Libby Moran, at all, she’s annoyingly irritating as some “terrible people” say about her later on in the film. And that’s not her fault, it’s just the way she goes about things. Could be the fact her mom is a real piece of work, but props go to Leslie Bibb for acting that way. I felt like her character was real, and despite my irritation towards her, it was an interesting view at a widow starting her life anew. I wouldn’t call this movie a romance, though there certainly is. It felt more like a drama than anything because the love interest aspect disappeared towards the end, and we had to deal with our main character’s trauma as a child regarding her mother and aunt.

The scenery is lovely, the farm provides great views and helps culture that homely feel. It was refreshing to watch a movie with essentially no antagonist, with the only struggle being Libby herself overcoming obstacles. Josh Duhamel as her love interest was the best part of the movie for me, his character was much more interesting and unfortunately they didn’t really spend a whole lot of time on him. Mostly glanced over the basics with him, and had his character do a lot of telling and not so much showing. The aunt, played by Nora Dunn, was kind and empathetic and reminded me of my own grandma and her farm.

The supporting cast did well enough, Libby’s two kids, Abby and Tank were acted well enough. Not much to work with really, just being kids. Abby had some nice personal growth regarding a bully. Again, I don’t really know how I feel about this movie. It just was.

For once, I’m stumped. I wouldn’t recommend it but I wouldn’t not recommend it. Basically give it a go if you enjoy farm movies with a splash of romance. Otherwise, there’s better ways to spend your time.

Movies

Project Power

Great, another superhero movie… Except it isn’t. Like the Boys, this movie appears to be about superheroes but in reality, it’s a whole other bag. Part of it is majorly anti-government, and the bad guys are defense contractors. Well, one company, but still, both The Boys and Project Power share the same kinda baddie. And I enjoy that because it ain’t far from the truth. Why would some stranger in a desert be the bad guy, when those in power would be the ones to want to hold onto that power? They would do anything to keep it. And such is the case in this movie. One of the main characters is Art aka the Major, played by Jamie Foxx, who is on a mission to rescue his daughter from American scientists working for a defense contractor because from him, and his daughter comes the source of superpowers. The delivery mechanism? A pill that will either kill you, or for 5 minutes will give you powers.

What follows is slick action scenes and impressive CGI showcasing various powers, while still having heart in the story. It briefly touches on several issues such as teens dealing drugs can’t play the “but I’m just a child” card when they’re fully aware of what they’re doing. Briefly it touched on how the system is designed to keep young black men and woman from surviving and that they gotta learn to game the system because that’s all the system does to them. They gotta find what they’re good at, and exploit it for their own benefit. It also touches on mass police corruption in New Orleans by suggesting to the other main character, a cop played by Joseph Gordan-Levitt, why would they test the drug there? Because the cops are all easily paid off.

The acting here is phenomenal, not just by Jamie Foxx but also by Dominique Fishback who turns in quite a performance playing a teen dealing drugs to support her diabetic mom. Jamie Foxx chewed the scenery he was in, and I just thoroughly enjoyed watching him. The movie is fun. It feels a little bit like a remedy against superhero movies, and it was nice to see a somewhat original idea. We need more of that for the SciFi genre, instead of rehashing older movies.

Overall, I recommend this movie for a Friday night watch. It’s got action, heart, and just an all around good time… Except for the bad guys. They get their due.